When I sat down to write this blog, I thought about complaining because I've been under the burden of depression again for quite a while. I began to take an inventory of my life and realized I have absolutely nothing to complain about. Sure, things could be better, but they could also be a whole lot worse.
I have a roof over my head, food on the table, and I'm in fairly good health for my age. I can no longer do the things I used to enjoy, but have found something new to fill my time and a number of new friends as a result. Writing stories has opened up a whole new world for me.
While it is impossible to enjoy anything while depressed, at least I've avoided the temptation to zone out in front of the TV or game console. I force myself to sit down and think about my stories and struggle to put something down on paper. I may fill only a single page with words, but it does give me a slight sense of accomplishment.
I've gotten involved with Saturdayscenes again in an effort to pressure myself into creating something new every week for the second book of the series I started. The experiment in writing scenes out of sequence is working so far as I've made some progress there as well. It remains to be seen how much trouble I'll have later on arranging all these scenes in the proper order, but at least they'll be written.
For my friends who I know also have to deal with depression, you have my sympathy and understanding. Who knows, we might wake tomorrow, the dark cloud will have dissipated, and we can live life again.
Thanks for reading.
Wednesday, September 28, 2016
Wednesday, September 14, 2016
Writing Scenes Out Of Sequence
This will be something new for me. As I've noted in previous posts, I write scenes in my head, over and over, until I'm satisfied and then put it down on paper. Now that I'm approaching the end of my story and the conjunction of several time lines, numerous key scenes are going through my head at the same time. A couple of those scenes are complete, but occur at the end of the story. I normally write each scene in sequence, so I've tried to put them off until I reach that point.
Unfortunately, earlier scenes aren't ready yet, and I'm having trouble concentrating on them with all the other scenes already in my mind. Nothing is being put down on paper, so I'll attempt something I've never tried before, and write those ending scenes first. Hopefully, once I get them out of my head and on paper, I'll be able to concentrate on the earlier scenes.
I'm a little leery of this approach since it will require a lot of 'copy & paste' later on to put every scene into the proper order, and it's easy for me to get confused when I'm moving files around. I know others sometimes write the ending of their story first, and then fill in the beginning, so I know it can be done. I'd like to finish this by the end of the year, and this is the only way I'll be able to do that.
I thought I would share an example of what I talked about last month. This is a scene I wrote down, typed into the computer, and submitted to my writing partners and our critique group. This is exactly as I wrote it, and other than a few edits needed, both groups loved it. Is this as good as they say, or are they just trying to make me feel good?
This scene involves Marcus, an overly ambitious Duke who is planning to take over the monarchy, but has become the puppet of the Scarred Mage. The evil mage has only one purpose in life, and that is the complete destruction of the Elder Races. He also has a personal grudge against Sebastion, the ogre.
Unfortunately, earlier scenes aren't ready yet, and I'm having trouble concentrating on them with all the other scenes already in my mind. Nothing is being put down on paper, so I'll attempt something I've never tried before, and write those ending scenes first. Hopefully, once I get them out of my head and on paper, I'll be able to concentrate on the earlier scenes.
I'm a little leery of this approach since it will require a lot of 'copy & paste' later on to put every scene into the proper order, and it's easy for me to get confused when I'm moving files around. I know others sometimes write the ending of their story first, and then fill in the beginning, so I know it can be done. I'd like to finish this by the end of the year, and this is the only way I'll be able to do that.
I thought I would share an example of what I talked about last month. This is a scene I wrote down, typed into the computer, and submitted to my writing partners and our critique group. This is exactly as I wrote it, and other than a few edits needed, both groups loved it. Is this as good as they say, or are they just trying to make me feel good?
This scene involves Marcus, an overly ambitious Duke who is planning to take over the monarchy, but has become the puppet of the Scarred Mage. The evil mage has only one purpose in life, and that is the complete destruction of the Elder Races. He also has a personal grudge against Sebastion, the ogre.
After the council
meeting, Duke d’Lorange spent the rest of the day half-heartedly attending to
the needs of the Capitol, his mind elsewhere. By late afternoon, his work
finally done, Marcus strode purposefully through the halls of the Palace on his
way to the family mansion across the square. Oblivious to the nods of the
guards now loyal to him, the events of this morning’s council meeting replayed
over and over in his thoughts. While the results from his announcement that the
Princess had been attacked were exactly what he’d planned, his thoughts kept
returning to the ogre.
Damn that
meddlesome Prince Mathias for countermanding his orders to the guard, and
allowing that animal into the Capitol. The message to him was clear, regardless
of what the ogre actually said, the Ancient One was aware of the Duke’s plans
and the presence of the ogre was a warning. Why wouldn’t the old man just die
and leave the world of men to those with the power and ambition to rule it?
His thoughts
scattered when he opened the door and was greeted enthusiastically by his son.
“Father! Is it
true?”
“What?”
“Rumors are all
over the city that an ogre spoke at the council meeting this morning. Did it
actually speak? What did it say?”
The Duke turned
away to pour himself a glass of wine which he quickly downed before pouring
another. What else did the rumors say? He shook off the sudden unease and
turned back to his son.
“What the ogre had
to say was meaningless. He’s just an animal taught to mimic the speech of men.
Forget about him.”
Rafael grabbed his
favorite history book from the table where he’d been reading, and held it up
like a shield. “But Father, an ogre’s honesty and loyalty are legendary. Their
intelligence has never been questioned, only their ability to learn to speak
properly. According to this, they were instrumental in winning the war against
the Dark Lord.”
“Nonsense,” Marcus
retorted and tossed back the second glass of wine. “Men made up the back-bone
of that army while the animals were just in the way. Whoever wrote that book
must have believed the Deluti lies.”
Recognizing the
look in his son’s eyes, he decided to put an end to the argument before it even
began. He didn’t have time for this. “And to prevent you from getting any
ideas, I expressly forbid you talking to that ogre. Now tell your mother and
sister I am not to be disturbed. Is that understood?”
Marcus sighed as
his son stormed from the room, slamming the door behind him. Tempted to pour
another glass of wine, he refrained, knowing that no amount of alcohol would
diminish the pain he was likely to experience from what he had to do.
Fumbling with the
lock on the door to his study, Marcus took a deep breath and turned to face the
tapestry on the wall and what was hidden behind it. Even without the cloth
covering, it would take more than a casual inspection to discover the near
invisible seam outlining the door. Wiping the sweat from his brow, he stepped
behind the tapestry and lightly touched the wall with his fingertips. A section
of wall, barely wide enough, swung open soundlessly and then returned after
he’d stepped through.
He’d learned long
ago not to assume what his master knew or didn’t know, and just reported the
events as he saw them. By the time he’d mustered enough courage to speak the
words of calling and watched the great eye in the mirror disappear, beads of
sweat once again covered his brow.
The scarred face
of his master soon appeared in the mirror. Those hate filled eyes always made
him feel like he had to confess something, anything. But he would not soon
forget the consequences of speaking before being given permission, and used
every bit of his resolve to keep his mouth firmly closed.
After an eternity,
the Dark Lord’s lips twisted into a parody of a smile as his eyes froze the
blood in the Duke’s veins.
“Listen very
carefully, my little Duke. Plans have changed. I am aware of the attack on
Princess Sofia, and her sister will pay dearly for attempting to cross me, but
none of that matters to you. What matters to you is that Princess Sofia now
belongs to me. If by chance she makes it to the Capitol and you discover her,
do nothing except contact me. She is not to be touched. Is that understood?”
“Understood, my
Lord,” Marcus answered, but worried about his own plans, asked without
thinking, “What of the betrothal?”
Slammed up against
the wall, every bone on the verge of shattering, the Duke stared in horror as
the scarred visage of his master appeared to emerge from the mirror just inches
from his own.
“Maybe I didn’t
make myself clear, my pathetic would-be King. There is no more betrothal. Sofia
belongs to me. Now, do you have anything more to say?”
Released from the
wall, and unable to control the tremors that wracked his body, Marcus struggled
to remain upright. Afraid to speak, but afraid not to, he forced a word passed
the tightness of his throat.
“Ogre.”
“What did you say?”
“An ogre addressed
the council this morning,” he gasped. “He claimed to have been sent by the
Ancient One and issued a warning.”
“Didn’t I order
you to ban all non-humans from the Capitol?”
“Yes,” the Duke
rushed to explain. “I gave specific orders to the guard, but that meddlesome
Prince Mathias intercepted the ogre at the gate and reversed my orders. The
Prince welcomed the ogre to the Capitol and accepted full responsibility for
Sebastian’s saf …”
The tiny room
plunged into darkness as Marcus held his breath. What did he say? Faint blue
tendrils of power surrounding the mirror were the only things visible. He soon
realized he couldn’t draw a breath even if he’d wanted to, but no longer had
the capacity to care.
Slowly the Duke
became aware of the returning light and his body had resumed the process of
breathing. His master’s face had returned to the mirror, and Marcus didn’t miss
the splatters of blood caught in the hideous scars. The voice that hissed from
those twisted lips was barely recognizable.
“Kill the ogre.”
“But …”
Once again, that
face hovered inches from his own.
“Find a way,
human. Your life depends on it.”
The Duke collapsed
to his knees as the face was replaced by the eye in the mirror and the door
opened on its own. He managed to crawl out of the room and onto the chair at
his desk, his master’s last command consuming his thoughts. Once able to stand
and fortify himself with another glass of wine, he unlocked the door and pulled
the servants rope. A plan began to form as he waited for his personal servant
to arrive.
“How may I serve
you, my Lord?”
“Set someone to
watch the ogre that arrived at the Palace today. I want to know where he
sleeps, who he talks to, and every move he makes.”
“It will be
done as you say, my Lord.”
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